November 05, 2009
Floral Bloom Necklace
I still have a few treasures left to
share from my trip to Santa Fe. While there, I spent a Sunday afternoon
walking around the downtown square. I am not someone who enjoys
traditional shopping. I avoid places likes malls and superstores and
marvel at how others can tolerate weekly trips to these places. On the
other hand, give me a beautiful day and streets lined with tents and
tables and I am in heaven!
There is just nothing to equal the
experience of discovering something you have never seen before. The
adventure increases when you get to have an actual conversation with
the very individual behind that creation. On this particular day in
Santa Fe, I had the true pleasure of meeting the artist I would like to
introduce you to today.
The beautiful necklace before you is a one-of-a-kind original by Claudia Chavez-Scharn. This design is called the Floral Bloom Necklace.
On
this particular day, I had my husband and two sons with me. They don't
exactly share my enthusiasm for street fairs. What it boils down to is
that even mom should get a turn every once in a while. Consequently, I
have adopted the habit of perusing displays quickly, only stopping if
something really catches my eye. Claudia's display of Floral Bloom
Necklaces was just such a thing.
I love how wonderfully delicate
her necklaces appear. They have a floating quality as though the
flowers and pearls are suspended only by air. I wanted to touch the
pretty necklaces, but I hesitated. Claudia immediately reassured me and
encouraged me to pick one up. I was impressed to realize that they were
in fact sturdy feeling. Claudia uses very high quality materials in her
work. Stainless steel jeweler's wire makes a durable base for the glass
flowers, gemstones and pearls wrapped with sterling silver.
If you would like to learn more about
the Floral Bloom Necklace or how to purchase one of your own, contact
Claudia at ccbeadzone@yahoo.com
October 26, 2009
Weavolution!
October 25, 2009
Flying Fish Beaded Pendant Necklace
Youknow, I almost don't know what to say. I get an idea in my head and itjust doesn't matter if it's kind of silly or if I can even imagineanyone ever buying the finished product. I just tend to go with myimpulses. Very often this leads to work that perhaps only its mothercan love. I just don't know.
I spent several hours stitchingeach bead into place and backing the pendant for a nice finished look.Since the pendant has a playful nature, I felt like the chain shouldhave one too. I took green waxed cotton and wove it through the silverplated chain adding additional green glass accent beads as I wentalong. When I got the idea to suspend the flying fish on a small lengthof waxed cotton, I just had to do it. It added that extra touch ofwhimsy which I felt brought the whole thing together.
You know,ever since I was a kid doodling on notebook paper, even my greatestefforts always had a comic quality. This used to make me crazy, but Ithink as I've gotten older, I've given in to it more. I let my work bejust what it wants to be. When you're young, you think of yourself inmore isolated terms, but later, you come to know that you are neveralone. As artists and crafts people, I think we count on this. I knowI'm counting on the notion that someone out there will see my flyingfish and giggle and say, "That's fun!"
October 21, 2009
One Sheep Two Sheep
I was actually looking at something else in the store when my husband came to get me. "Hey Honey, you've got to see these sheep!" I wandered over to find a collection of Navajo folk art animals grinning up at me. You just can't help but smile back! Can you? :D
I'm not a collector the way some people are. I don't have a curio cabinet filled with anything, but it is hard for me to resist a great looking sheep. I knew right away that this one was coming home with me!
October 16, 2009
Art and Artists ~ From the Taos Pueblo
When you are in a place like Taos or Santa Fe, it's not hard to find shops which specialize in local artwork. Though I love to look in these places, I always prefer to buy from street vendors or in other words, the actual artist. Just as many artistic people feel that the process or creative journey is more important than the finished work, when buying art, I feel the same way.I want to make some sort of connection.
Maybe what I'll come home with is ordinary in comparison to the extraordinary available in a gallery. It doesn't matter to me in the slightest. I don't want a keepsake so I can show it off as the finest of art to all who cross its path. I want to admire my pieces and remember the experience of finding them.
I love looking over table tops or in this case, in and out of Pueblo shops, until something catches my eye. Then I can talk to the seller who very often is the artist, but if not, tends to be related.It seemed especially so in the Pueblo shops. Family and friends come together to form small business groups taking turns with all of the tasks.
My little quail friend pictured here is an example of horse hair pottery. Horse hair is applied to the clay before firing. The hair burns off in the kilnleaving behind pretty designs. No two ever look exactly alike whichmakes it very hard to pick your favorites. Somehow I managed. (Vacation can be hard work!)
As I made my selections, a young woman sat next to her warm kiva painting a small clay bowl. I asked her if she made these pieces, but her answer was no. They were made by another member of the family. I asked if she had a card or any information she could give me. She had only one card which she told me was her aunt. So the closest I can get you to the origin of this piece is the name Dolly Luhan (the aunt) of Sunflower Pueblo Creations. Perhaps if you are ever visiting the Taos Pueblo, youcan find their little shop in the Northern Pueblo.
