Encased White Handmade Lampwork Glass Bracelet Charm Bead With Silver

Image Description
Encased white with golden hues surrounding .999 fine silver European style handmade lampwork glass large hole slider bracelet charm bead.

This is a white handmade lampwork glass bead with a large hole. I have wrapped some .999 fine silver around the bead. You can see the gold hues created where the wire touched the glass. It is a great effect and look at all the shiny silver nuggets trailing around it. Then I encased it for a little extra magnification. This slider bead has about a 5mm hole size and looks great on most chains and cords, be it rubber, leather or silk. Interchange them for all the style and variety you desire in your wardrobe.

All beads turn out different! While the colors are the same, the fine silver pattern created makes each bead unique. The sizes may vary slightly also. The photo above is an example only and has already been sold.

Measures 14-15mm x 8mm
Hole Size 5mm

Handmade lampwork bead that will fit most European charm style bracelets and necklaces. These slider beads will fit most chains, cords, silk and ribbons. This glass bead is easily interchangeable. Slip it off of your bracelet and onto your necklace. Try it on a black leather necklace to total change the look.

Price is for bead only - bracelet and/or sterling slider beads not included. Other pictures are for visual examples only.

All lampwork glass beads are handmade by me, Covergirlbeads glass artisan, Charlotte Hayes. My handmade beads are made one at a time in my studio along the Texas gulf coast.


Support your worldwide and local artisans. Buy handmade! You'll be getting unique beads, jewelry and handcrafted items that only a few will ever own. Some items are even one of a kind!


I use domestic shipping with delivery confirmation and ship internationally at reasonable rates. International buyers are responsible for any and all customs duties, taxes, vat or any other expense that may be added to your package entering your country.


I melt glass using my Carlisle mini cc torch winding it onto a mandrel (metal rod) that has been dipped in bead release (a silica based clay) to prevent the glass from sticking to the mandrel.

I use a variety of Moretti/Effetre Italian glass, Vetrofond, Lausha, CIM, Double Helix, Reichenbach, Bullseye, and TAG glass. I also use CZ cubic zirconias, dichroic glass, .999 fine silver, copper, silver leaf, gold leaf and palladium to add interesting designs and create elegant to organic styles of beads. After forming the bead, it is placed in the kiln to go through the annealing process.


Annealing is a MUST. It is the process where I place my beads in my preheated digitally controlled Glass Hive kiln and allow them to rest for several hours in a glowing heat bath until the glass is the same temperature all over. This relieves stress in the bead. Then the temperature is slowly ramped down overnight until the beads are completely cooled to room temperature. This process takes hours and adds strength and durability to each bead. BEADS THAT HAVE NOT BEEN ANNEALED HAVE A GREATER CHANCE OF CRACKING DUE TO STRESS AND THERMAL SHOCK.


Cleaning the bead release out of the hole is very important. I use an electric dremel with a diamond bit to clean each bead individually. Clean bead holes make for a nicer construction for artisans to assemble their jewelry. If you will inspect the cheap imports, you will notice they are filled with bead release and you should question whether or not they were kiln annealed. Always buy handmade!


Numerous pictures are taken in an effort to get just the perfect photo for you to view. This is can be very time consuming but worth every minute to ensure you see quality photos. Sometimes beads can be very stubborn and nearly impossible to show their true beauty.

Member of Self Representing Artists SRA #H98