Encased red handmade lampwork glass heart bead pair with a shiny glass bead finish.
These red handmade lampwork glass heart beads are cute. I made them using a deep red color and encased it in a layer of transparent clear glass. I added a layer of transparent clear glass encasing the red heart bead inside. Encasing these handmade lampwork beads has created a glossy shine and can sometimes have small trapped air bubbles in them. They are a rich dark blood red color and would look fabulous made into earrings or other accessories.
I have included a photo showing an example of the three sizes of pea green hearts which are NOT included in the listing. Just thought you may like to see a comparison on sizes. These are the small size hearts ranging around 14-15mm. This is a stock photo. These beads stay similar in size, shape and color and encasing. They are made individually and each bead unique.
Qty: 1 bead
Measures approximately: 15mm x 14mm x 10mm
Mandrel Size: 1/16
Hole Size: about 2mm
Need more? Let me know and I'll make a special order reserve listing for you.
Also available in a 3/32 mandrel - about a 2.5mm hole. If you prefer 3/32mm mandrel, let me know or you will automatically receive beads made on a 1/16mm mandrel.
All glass lampworked beads are handmade by me, Covergirlbeads glass artisan, Charlotte Hayes. I am a Texas artist living in Alvin near the Gulf of Mexico. I am located near larger and popular Texas cities like Houston, Galveston and Sugar Land. I love incorporating my lampwork beads into jewelry designs using semi precious gemstones, pearls, crystals and other mixed media materials to create beautiful jewelry for you. Care and love is given to each piece.
Member of Self Representing Artists SRA #H98
Handmade beads made in the USA
Handmade beads made in Texas
LAMPWORK - THE PROCESS OF MELTING GLASS
I melt glass using my Carlisle mini cc torch winding it onto a mandrel (metal rod) that has been dipped in bead release (a silica based clay) to prevent the glass from sticking to the mandrel. I use a variety of moretti/effetre Italian glass, Vetrofond, Lausha, CIM, Reichenbach, Double Helix, Bullseye, TAG and Reichenbach glass. I also use CZ cubic zirconias, dichroic glass, .999 fine silver, copper, silver leaf, gold leaf and palladium to add interesting designs and create elegant to organic styles of beads. After forming the bead, it is placed in the kiln to go through the annealing process.
Annealing is a MUST. It is the process where I place my beads in my preheated digitally controlled Glass Hive kiln and allow them to rest for several hours in a glowing heat bath until the glass is the same temperature all over. This relieves stress in the bead. Then the temperature is slowly ramped down overnight until the beads are completely cooled to room temperature. This process takes hours and adds strength and durability to each bead. BEADS THAT HAVE NOT BEEN ANNEALED HAVE A GREATER CHANCE OF CRACKING DUE TO STRESS AND THERMAL SHOCK.
CLEANING THE BEAD HOLES
Cleaning the bead release out of the hole is very important. I use an electric dremel with a diamond bit to clean each bead individually. Clean bead holes make for a nicer construction for artisans to assemble their jewelry. If you will inspect the cheap imports, you will notice they are filled with bead release and you should question whether or not they were kiln annealed. Always buy handmade!
Numerous pictures are taken in an effort to get just the perfect photo for you to view. This is can be very time consuming but worth every minute to ensure you see quality photos. Sometimes beads can be very stubborn and nearly impossible to show their true beauty.